Description
The Solo 2 was designed for a UK systems facilitator doing a job in the US. They required a number of simple to operate comms boxes with excellent audio performance.
The Solo 2 is compact, rugged and portable, it is designed for one commentator to produce one program with a talkback channel. To help workspace issues the audio connectors including the microphone input & headphone output are mounted on the rear panel to keep cables out of the way of the commentator's work area.
A transformer balanced high quality microphone amplifier is provided for the commentator's microphone, it has a rear panel gain control for level setting, the option of switching in +48V phantom power and the popular Glensound Referee compressor/ limiter circuit (which can be turned off via a rear panel switch). A single front panel switch routes the output of the microphone amplifier to 2 separate transformer balanced outputs (Programme & Lazy). A large bright front panel LED indicates when the microphone's output is being routed to the programme output. Side tone (the commentator's own voice in his/her own headphones) is also included, the level of which can be adjusted by a rear panel preset potentiometer.
2 fully protected electronically balanced audio inputs are on the rear panel, each input is fed into one of the commentator's headphones via a front panel level control allowing the commentator to produce his own mix of the incoming audio. The headphone output is presented on the rear panel on 2 off 6.35mm A/B gauge jack sockets. The headphone amplifier is our unique design which allows the correct output level for both low and high impedance headphones to be presented without any user settings.
The Solo 2 is powered from an internal switch mode mains power supply and the power input is via a filtered IEC plug. A bright blue front panel LED indicates when power is on.
Specification
Microphone | |
Input Impedance | 1k5 |
Input Type | Transformer Balanced on Neutrik XLR |
Gain Range (Dynamic) | 42 to 66 dB |
Gain Range (Phantom power) | 26 to 50 dB |
Compressor | Complex ratio. Knee @ 0dBu out, then 2:1 ratio to +5dBu out, then 3:1 to +8.5dBu out, then 4:1 to +11dBu out |
Max Input Before Clipping (Dynamic) | -13dBu |
Max Input Before Clipping (Phantom power) | 0dBu |
Distortion | 0.3% Relative to +8dBu output with -54dB input Compressor On 100Hz to 20kHz |
Equivalent Input Noise | 122dBu RMS 22Hz to 22kHz 300 Ohms |
Frequency Response: Output Impedance: Output Type | Transformer Balanced on Neutrik XLR |
Headphone | |
Audio Inputs Impedance | >30k Ohms |
Input Type | Fully Protected Electronically Balanced on Neutrik XLR |
Level Controls | +10dB to Off (internal link to set maximum attenuation to -20dB) |
Maximum Output Level | +18dBu into 600 Ohms |
Output Circuit | Our intelligent o/p circuit that automatically reduces the output level into lower impedance headphones |
Suitable For Headphone Impedances | 32 to 1000 Ohms |
Maximum Input Level | +28dBu |
Noise | -76dBu @ line up (unity gain) |
Distortion | < 0.035% Relative to +8dBu output 100Hz to 20Khz |
Sidetone Line Up | -10dB |
Sidetone Level Range | +10dB to Off |
Frequency Response | +/-0.5dB 70Hz to 20kHz, -1dB @ 50Hz |
Power | |
AC Voltage Input Range | 100 to 240 +/-10% |
AC Frequency Range | 47 - 63Hz |
Input Connector | Filtered IEC Plug |
Consumption | 1.5 Watts |
Internal Fuse | 20mm 1A anti-surge |
Size & Weight | |
Weight | 880g |
Size | 171 x 170 x 82mm (W x D x H) |
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